The Friday Thing: Freakbeat Phantom by The Rascals

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The Rascals are one of those bands that aren't anything ultra-special, but are really good nonetheless. Compared to the studio version of 'Freakbeat Phantom', this performance is just as good if not better and you can tell that they like what they do for the fact that they get really into this performance. Enjoy.


Freakbeat Phantom

OUR LOVE TO ADMIRE-Interpol

Our Love To Admire-
Interpol
Status-Out As Of 2007
Label-Capitol
Rating-2 Feathers

After creating the genius work that was Antics, Interpol changed record labels and used three years to create the very long awaited Our Love To Admire. You may think it’s impossible to top such a career-changing album. You might be right. ‘Pioneer to The Falls’ begins the album very nicely. Just when you think the mini-guitar rant is going on a bit too long, the vocals come in. It’s a bit calm, but not too long, although due to the calmness, it doesn’t really suck you in. ‘No I in Threesome’ is one of my favourite songs on the album. It’s a tad more upbeat than the previous, but it’s pretty calm. Paul’s voice fits the song so perfectly. The song sounds like a more mature Interpol, so I’m glad they decided ‘It’s time to give something new a try’. ‘The Scale’ is pretty dark sounding compared to the last two but it’s very long and very boring. After you’ve passed out, ‘The Heinrich Maneuver’ wakes you up with its fast paced beat and it’s kicking sound. They really should have put this song first on the album because it would have sucked in even those who hate Interpol. When the song is over, you’re dying for more. ‘Mammoth’ starts out seemingly loud and nice but it actually gets a bit quieter and it gets really monotonous. It’s like no really, ‘Just spare me the suspense’, I don’t think I can take it anymore. ‘Pace is the Trick’ is extremely quiet at the beginning; as in you don’t realize it’s playing, probably because you’ve lost your train of thought from the last song. Pace is the trick to making a song good, and this song is far too slow to captivate anyone. The only thing that gets interesting is the vocals, but the guitar just repeats the whole time. ‘All Fired Up’ sounds different than any other Interpol song I’ve heard before. The drums developed that short drum roll thing and the guitar has a different distortion on it than what we’re used to. The way he sings it is also different. I must say, I really like it; it’s a different sort of sound, which is exactly what I was hoping for with this album. ‘Rest My Chemistry’ has a very subdued Jazz feel to it, which gives its own sound, but it’s pretty uneventful, and lengthy. ‘Who Do You Think’ is pretty catchy, and so much better than the previous few songs pacewise. What’s nice about it is it varies, which is what you’ve been hoping for. ‘Wrecking Ball’ is very quiet. The vocals are odd, but the rest of it is very dull. The end bit sounds like dreamscape, if you actually realize it’s playing. ‘The Lighthouse’ is very dreamlike and the little guitar blobs throughout sound like the beginning bit of ‘Anyway Anyhow Anywhere’ by The Who. By the end of the song, I completely lost my concentration and began to focus on other things. Clearly not the best addition to their catalogue, but you can think of this album as a transformation period: a period between their old sound and their new. For fans like me, it’s our love to admire for the fact that we continue to love this band, despite the bit of mediocrity that they tend to come out with.

‘We never want to stay within a certain parameter—we always want to keep moving forward, and I think we have. You don’t really want to keep making the same record over and over.’ Daniel Kessler

Video for No I In Threesome

Interpol's Official Website
Note: This is the last I'll be posting of Interpol until their forth album comes out godwilling next year. Though I gave them a 2, I still really like them and that probably won't change. Also note, I have the special edition version of this album hence the black cover. The normal version has a lion attacking some sort of elk/deer thing, just letting you know. I hope you enjoy the album or review! Thank you for reading!

MAGIC AND MEDICINE-The Coral

Magic and Medicine-
The Coral
Status-Out as of 2003
Label-Deltasonic
Rating-3 Feathers

The Coral are one of those underrated bands, even in England where they are from. By this point, these guys from Hoylake have one album out (‘The Coral’) and are known for such hits (in the U.S.) as ‘Dreaming of You'. Now with their second album out, ‘Magic and Medicine’, one could hope that these fantastic musicians make a better name for themselves. ‘In the Forest’ is a great beginning to the album. The keyboard that goes throughout adds a mystical feel to it that will be seen throughout the record. ‘Don’t Think You’re the First’ is a semi-creepy song. The guitar style they use in this helps add a very eerie and haunting mood to it that keeps you wanting more. Unlike the first two, ‘Liezah’ is very clean; almost a light skiffle. Though it contains short bursts of weird melodies, it’s becomes an acoustic sound that you’ll hear throughout the album also. ‘Talkin’ Gypsy Market Blues’ is really annoying. They’ve got the whole blues thing down, but my God, the vocals are irritating. The song gets very monotonous and James Skelly is not meant to sing the blues, ever. ‘Secret Kiss’ is a lot better than ‘TGMB’. It’s a light sounding song that has elements of the creepy keyboard sound, but the overall mood is similar to that of ‘Liezah’. ‘Milkwood Blues’ is the last blues song, and it’s better than the other, but it’s not great. They know how to play the blues, but the song is far too dragged out and too mellow. It’s almost cocktail party type music. ‘Bill McCai’ tells the story of a depressed middle-aged man whose ‘kids don’t even notice him’ and he wishes he were a little boy again. The song is a hugely nice change to the previous bunch. It’s a little gloomy, but with a hopeful tone. What really helps it is it’s undeniable catchiness. ‘Eskimo Lament’ is very dreamlike. Half way through, it gets brassy and weird but it’s still far too slow for my liking. The whole ‘rain rain go away’ idea is an exhausted concept which really makes the song lack cleverness. ‘Careless Hands’ is too similar to the last song for the fact that it’s overdrawn and you’re dying for it to end. ‘Pass it On’ sounds very similar to ‘You Like Me Too Much’ by The Beatles. It’s calm like the last two, but it’s a bit more upbeat. It’s nostalgic and it’s downright beautiful. ‘All Of Our Love’ is a combination of the calm and haunting styles of the album. The song doesn’t sound like it was mixed properly (i.e. The guitar is too loud, the vocals are too quiet…) and it’s exceedingly repetitive. ‘Confessions of A.D.D.D.’ starts out nice but it gets almost western, which is not nice to the ears or the headache you’ve developed from the last song. Halfway through it gets significantly better and I’m glad they didn’t end the album on a slow note. Though the album was ultra-fantastic or anything, they are still a sound band that with more maturity and experience are bound to make an album that’s more cohesive and pulled together. With clear early sixties and fifties influences, they are promising and just need a little Magic and Medicine.

“I think Liverpool has kept a lot of its musical innocence. The sound that often comes out is what has sort of been passed on or influenced by another Liverpool band. It’s stayed traditional with guitar music and we’ve stayed true to it.”-Ian Skelly

Video for Pass it On

The Coral's Official Website
Note: This is their 2nd album and since then, they've come out with two others. Invisible Invasion, the one that came out directly after this, has Rootkit on it (it's a software that'll screw up your computer if you load it on) so I'd make sure you get a copy of it that doesn't have it (which I don't know how you'd tell and it's Sony's doing, not theirs). Also, because they're on Deltasonic, no band of theirs has any CD that has a U.S. release so if you find these albums in stores you're lucky. I found this at Bestbuy, the only CD of The Coral they had.

VIVA LA VIDA OR DEATH AND ALL HIS FRIENDS-Coldplay

Viva La Vida or Death and All His Friends-
Coldplay
Status-Out as of 2008
Label-Capitol
Rating-4 Feathers

From London, Coldplay is one of those few British bands that’s actually popular in the UK and the U.S. With the mad success of ‘Parachutes’ and ‘A Rush of Blood to the Head’, and the disappointment that was ‘X&Y’, you could only hope that these four would create something that actually lives up to their debuts. Now in their early thirties, they’ve decided to try a style completely different to that of the last three. ‘Viva la Vida or Death and All His Friends’ is that follow-up that everyone was hoping for. The album starts out with ‘Life In Technicolour’. A cheery overture starting out and album can only lead one to have expectations grandeur. This song reminds me very heavily of strawberries: just listen, you’ll see. ‘Cemeteries of London’ is dreary enough to fit the title and it’s gloomy enough to make it not sound like a repeat of the previous song. The acoustic guitar helps add to the middle-earth feel. ‘Lost!’ is bit annoying to me. I really don’t like the clapping so much. Though it doesn’t take away from the mood or splendor of the album, I really just don’t like it. It has a coconut sound that sounds stupid compared to the rest. ‘42’ is much better than ‘Lost!’. It’s gloomy and a bit eerie with the whole ‘I’m not dead, they’re just living in my head’ thing, but it has a pure sound to it that envelops you. When the mood changes to the ‘you didn’t get to heaven but you made it close’ thing, it really captivates the eardrums. I really don’t like ‘Lovers in Japan’ for the fact that it sounds too much like U2. Though it sounds a bit stupid compared to the rest of the album, the ‘Bron-Y-Aur-Stomp’ drum sound helps to make it more cohesive to the rest. ‘Reign of Love’ has a very storybook mood. It’s happy, but with that soft piano that further reminds me of fruit, melons to be exact. ‘Yes’ has a very murky, deep feel to it that makes you wonder why they didn’t name it ‘No’. The ‘Russian Folk Dance’ sounding strings helps add to the weird but dramatic sound of the album. ‘Chinese Sleep Chant’ is supposed to be a hidden track, but it’s not really hidden. The airy vocals and upbeat drums create a much more of a ‘YES!’ feel than the previous. It really puts you in a pleasant, very dreamlike mood, one that lasts too. ‘Viva La Vida’ goes right proper with the rest of the album. The strings produce such a clean, almost emotional sound, that’s unbelievably enchanting and the enthralling vocals just tie it together. ‘Violet Hill’ is a completely different sound from the previous but the general gist really goes. The end bit with the poignant and ghostly piano really finishes off the song nicely. ‘Strawberry Swing’ sounds very Irish bag pipe-y. Boysenberries come to mind with the thick drum beat and light acoustic guitar. It’s just a bit long. ‘Death and All His Friends’ finishes the album with a peaches and cream aura. Mid way, it develops a ‘Two of Us’ sort of feel (that’s the cream). The hidden track ‘The Escapist’ sounds like the lead off with the very spacy, strawberry feel. When an album loops it adds a much more finished, complete feel to it. Though a much better addition to their catalogue than ‘X&Y’, it’s still a huge style change to what you’re used to with Coldplay. Containing their biggest hit to date (Viva la Vida), you can easily see why this album sold so well. I’d suggest it to anyone, Coldplay fan or not. Melons and berries, makes a good fruit salad.

"We feel like a new band again, rather than some corporate machine"-Jonny Buckland

Video for Violet Hill

Coldplay's Official Website
Note: It's about time I review this album being that I don't review too many albums that came out this year. I'm going to post more reviews this week, like one a day or something so check back when you can. I hope you enjoy and I love the comments!

The Friday Thing: The Coral

Hey everyone. Because I'm bad at keeping up with my reviews, I've decided to do something every Friday non-review related. I call it The Friday Thing. I will post something that has to do with pop-culture but the main point is to post a live performance that I think is absolutely brilliant. The performances will come from with The Glastonbury Festival or Later... With Jools Holland. I'll be posting a review of either Viva La Vida or Magic and Medicine tomorrow so stay tuned.

The Coral are one of those bands that's very underrated and almost unheard of in America, surprise surprise. This performance for 'In The Morning' at Glastonbury, to me, was one of the best performances I've ever seen. Here it is and enjoy.


In The Morning

WINCING THE NIGHT AWAY-The Shins

Wincing the Night Away-
The Shins
Status-Out as of 2007
Label-Sub Pop
3rd Studio Album
Rating-3 Feathers

With their roots in Albuquerque, New Mexico and two hit albums under their belt, (‘Oh, Inverted World’ and ‘Chutes Too Narrow’), it’s only telling that their third album be a great addition to such a collection. For any Shins fan, ‘Wincing The Night Away’ does not disappoint. ‘Sleeping Lessons’ starts the album with a very spacey keyboard, which follows the vocals. About half way through, the song reaches a sort of exhilaration unlike the beginning. This song is about opening yourself up, which to me, helps make it a fantastic lead off. ‘Australia’ greets us with someone shouting in a seemingly heavy German accent. This is definitely one catchy number. The subtle use of a ukulele is very effective. ‘Pam Berry’ is very short, almost a filler sort of song, that is extremely electronica. In ‘Phantom Limb’, the bass is very electronic allowing for a blend between it and ‘Pam berry’. The general sound of it is similar to that of ‘Australia’ but it’s mellower. The general sound of it gives me a wrenching headache for some reason and they really could’ve made it shorter. ‘Sea Legs’ has an annoyingly hip-hop sounding drum and bass track with a random flute and string section in the background. I’m flat out bothered by it. I really can’t stand a non-varying bass and drum line. It’s definitely not my favourite song, at all. ‘Red Rabbits’ starts with an airy but poppy sounding instrument that backs the vocals. This song shows James Mercer’s ability to sing to softer sort of song. The main problem with it though, is it’s just a bit too long. ‘Turn On Me’ is my favourite song on the album. If you like basic pop/rock songs you’ll be sure to like this song. The drums are simple but perfect. I find it cheesy how in the chorus he has to say ‘fond of y-o-u’. I find the whole spelling things out deal kind of stupid. ‘Black Wave’ is much different from the last song. I never realized how dark an acoustic guitar can sound on it’s own and how effective it is in doing so. Unlike the lyrics, you are not ‘looking on the brightest side', but you’re still bound to love it. ‘Spilt Needles’ is certainly not the best, although the beginning oddness sucks you in. The vocals create such irresistible hooks that help create a sound different from the other songs. ‘Girl Sailor’ starts out nice, but you quickly realize there is virtually no variation. Though pleasantly calm, it gets pretty boring. If you listened to it all the way through, ‘you made it through the direst of straits’. ‘Comet Appears’ at first sounds like a hopeful version of ‘Black Wave’ equipped with a slide guitar. It’s extremely dreamlike which I think is a good, composed way to end a record. The problems that present themselves in this album are that it sounds like too many new influences are being crammed into one record which makes it very uneven, and sometimes, very distasteful. The other problem is that more than half the songs seem to drag on forever, and ever. As songs on their own, most of them are really good, but as a collection, it’s very unappealing. Compared to the first two albums, this record is much more mature, but not necessarily better.

"There was a long while where I was struggling to get the lyrics. It was blood from a stone for a while." –James Mercer

Video for Australia

The Shins Official Website
Note: I'm sorry for not posting much reviews recently. I've been doing alot of listening but I haven't gotten around to writing the actual review so within the next week I'll have atleast 3 new reviews. I reviewed The Shins first album awhile ago so check that out. I didn't review their second album because I don't want to buy it, it's as simple as that. I'm going to post a rating guide soon so you understand how I rate CD's and stuff. Please keep posted and comment! Thank you everyone!

WHO THE FUCK ARE ARCTIC MONKEYS?-Arctic Monkeys

Who The Fuck Are Arctic Monkeys?-
Arctic Monkeys
Status-Out as of 2006
Label-Domino
Rating-4.5 Feathers

With their sudden rise to fame, the Arctic Monkeys wasted no time recording new material. Almost four months after their debut came out, they released the EP ‘Who The Fuck Are Arctic Monkeys?’ containing five tracks, four new ones. The EP starts with What Ever People Say I Am’s ‘The View From The Afternoon’. Like the previous review, the shear power exhibited sucks you in immediately. The highly observant lyrics on going out at night just make it that much better. Also, the fact that Alex’s voice cracks makes them even more relatable. ‘Cigarette Smoker Fiona’ is a little edgier than the previous song. Lyrics like ‘I never came from no ghetto, but it wasn’t nowhere near here’ show that the band aren’t trying to be anything they aren’t, which is always a plus. Over all, it’s not that incredible, so it’s not going to become an instant classic, or favourite for that matter. ‘Despair in the Departure Lounge’ is about a guy leaving a girl and learning how to deal with the reality of being alone again. Though it’s a little lengthy, the lyrics like ‘Cause she isn't there to hold your hand, she won't be waiting for you when you land’ express the emotion extremely well and the lone guitar with a subtle piano are very effective in achieving the heartbreak mood. ‘No Buses’ is much more poppy and happier than anything they’ve done so far and it oddly reminds me of the beach. Though the line ‘it was the antiseptic to the sore’ is supposed to be romantic, it’s just gross. ‘Who The Fuck Are Arctic Monkeys?’ finishes the album with a bang. The song discusses what it’s like to become as successful as they did in such a short time, the dark side of it, and how people may be saying ‘in 5 years time will it be “Who the fuck’s Arctic Monkeys?”’ Matt’s vocals and Andy’s bassline at the end help this song embrace a more serious feel, but still dark. Shouting ‘Bring on the backlash!’ shows that they are ready for anything that comes their way. Though this EP received virtually no air-play because of it’s increased ‘language’, it still sold extremely well. With four new genre exploring, unexpectedly amazing tracks, you can only imagine what this would have turned into if it were turned into an album! It’s a nice treat that’ll hold you off until their next album arrives.

“People already proper care about the music, before it's even finished. You can see it in their eyes and nobody can take that away from you.”-Alex Turner

Live Video for Who The Fuck are Arctic Monkeys?

Arctic Monkeys Official Website
NOTE: Okay, I really wish they hadn't used f-ck so much because their may be some sensitive readers out there so I censored it, I hope, properly. Just tell me if it's really bothering you. Also, with the video, Alex's hair and shirt are horrible but the performance is overall good, that's why I put it, so enjoy the sound. Thank you for reading my first EP review!
EDIT: Screw it, I took the line out and put the real word.